indirect discourse

英 [ˌɪndəˈrekt ˈdɪskɔːs]

美 [ˌɪndəˈrekt ˈdɪskɔːrs]

n.  同 indirect speech; 间接引语

柯林斯词典

• 同 indirect speech
  Indirect discourseis the same asindirect speech.

双语例句

• Chapter Two gives a detailed interpretation of some characters in the novel from free indirect discourse.
  第二章从自由间接话语层面对小说的几个人物做细致的分析。
• So we believe that in both local and global coherences readers can use indirect trait information to construct trait based a model of character on line and apply it in discourse comprehension.
  结果发现：在不论整体还是局部联贯条件下，读者均能利用内隐的行为描述建构人物性格模型，并能应用该模型预期人物的后续行为。
• Free indirect discourse plays a unique and distinctive role in expressing the characters 'speech and thought.
  自由间接引语作为小说中人物语言和思想的一种表达方式，发挥着别具一格的效果。
• Free indirect discourse is constructed by the substitution of those subjects, and the rules of substitution coincide with general grammar.
  自由间接引语即由潜在的多个主体之间的代换而构成，而且代换规则与一般语法规则一致。
• As a result, Free Indirect Discourse is tended to be read as being able to accommodate two voices: the voice of the narrator and the voice of the character.
  因此，自由间接引语可以同时容纳两种声音，包括叙事者的声音和角色的声音。
• Sly substitution of subjects in free indirect discourse
  自由间接引语的潜在主体代换
• Indirect anaphora is a special kind of discourse cohesion device, which is a relatively new field in linguistic study.
  间接回指是一种特殊的语篇照应，它是语言界一个较新的研究领域。
• Indirect speech acts given by Searle enriches speech act theory, thus the study of language rises to the level of discourse study and it's found that discourse and reality are constructed by language.
  舍尔提出间接言语行为的概念丰富了言语行为理论，把语言研究上升到语篇研究，发现语篇与现实是语言构建出来的。
• The analyses and explorations confirm our assumption that in the Chinese culture the indirect style of interaction and discourse organization is largely preferred while in the American culture the direct style of interaction and discourse organization is largely preferred.
  本文的分析和探讨证实了我们的假设：中国文化中的交际与语篇组织结构对间接式风格更为侧重，而美国文化中的交际与语篇组织结构对直接式风格更为侧重。
• He creatively inserts symbolism into the post-apartheid South Africa theme in Disgrace. And the ambiguity and indeterminancy created by the internal focalization and the use of free indirect discourse make the novel endowed with characteristics of postmodernism.
  他创造性地将象征主义融入到《耻》的南非后种族隔离主题中，另外，内聚焦和自由间接引语的使用带来的模糊性与不确定性效果使小说具有后现代主义的特征。